![autopano video pro not stitching autopano video pro not stitching](https://i.ytimg.com/vi/F2cscLog2sY/maxresdefault.jpg)
Are there ways you can fix that in post? Yep, you’re in luck! Some people use SkyBox Studio V2 others do it while stitching on Autopano Video Pro (which can be very effective and quicker than other methods if your shot is monoscopic). This can definitely compromise the quality of the overall experience, so if you are producing a VR film and plan to add some stunning drone shots, images captured on a rover to generate a bit of movement, or if you’re actually walking and holding the camera up high through a crowd, it is important to make sure your horizon is stable and the movement as smooth as it can be.īut, let’s say you end up with a shaky and unstable shot, even though you tried your hardest to make your movements as smooth as possible. One of the greatest complaints of those who watch videos in a VR headset is the motion sickness caused by unstabilized/shaky shots.
![autopano video pro not stitching autopano video pro not stitching](https://360immersive.wordpress.ncsu.edu/files/2014/08/move-image-mode2.jpg)
#Autopano video pro not stitching how to#
Stay tuned for next week, when we discuss how to avoid some of the biggest mistakes when colour correcting, mixing spatial audio and adding animation and illustrations to your films. It’s also pretty helpful for those who film, direct or produce these kinds of experiences to understand and be aware of the difficulties that can arise throughout the post-production process by knowing what problems to avoid before you start your project, you could potentially speed up your post-production timeline and costs.įrom stabilizing shaky shots to tripod removal, we’re outlining the biggest problems we’ve faced when working with 360 footage… and how to avoid and/or fix them.
![autopano video pro not stitching autopano video pro not stitching](https://i.ytimg.com/vi/bT5VVhi1pec/maxresdefault.jpg)
Interestingly enough, there are many ways we can fix these issues without experiencing major headaches, or prevent them from happening long before the project reaches the editing suite. Maria Fernanda Lauret, Contrast’s post-production lead, in the office.Įditors go through a LOT of technical issues during the post production phase of 360 and virtual reality films.